Fresh from the success of their production of Blithe Spirit in Perth, Johnny McKnight and Kenny Miller front the creative team behind this year’s Tron theatre pantomime: Peter Panto and the Incredible Stinkerbell; a show of fun, fairies and flatulence.
Peter Panto is a boy from Riverland. One evening he accidentally loses his shadow. He later returns to the Darling’s household, with his best friend Stinkerbell in tow, to collect his shadow and is helped by Wendy, the eldest of the Darling’s three darlings. He soon convinces Wendy to travel to Riverland where we meet his long time enemy Captain New Look and her (yes, her) sidekick Chai Thai. In true panto style, mayhem follows. There’s poison, knives and looks that could kill all night long, providing a night of laughter and great entertainment.
Johnny McKnight has written yet another panto that’s brimming with local humour, a fantastic set of songs and a wonderful cast. The script includes playful references to the King’s Theatre, Karen Dunbar and even Janette Krankie. Of course, panto lovers can expect the traditional aspects of pantomime such as cast members playing multiple roles, an altered plot line to suit the location of the show (who knew pirates hung out at the Blue Lagoon?) and, of course, audience participation. Not only has McKnight included all of the familiar traits of panto, he has created a modern show that appeals to all age ranges. Ross Brown has written an all-new set of songs for Peter Panto, all of which are catchy and show off the abilities of those on stage.
Peter Panto marks the return of several Tron panto veterans: Darren Brownlie, Sally Reid, Anita Vettesse and Helen McAlpine and, of course, there are also some new faces in the form of Louise McCarthy and Laura Szalecki. Together they form a very strong cast that are oozing with talent.
Reid gives a wonderful performance as Stinkerbell, Peter’s loving sidekick who can never quite admit her true feelings. She engages well with the audience, instantly pulling us into the show and getting lots of laughs for her elaborate descriptions of the flatulence that makes her so proud. McAlpine is Peter Panto, the boy who never grows up. She possesses an attractive singing voice although it must be admitted that her enthusiastic shouts to the audience may have been a tad too loud from time to time. With this small issue aside, McAlpine delves into the role of Peter and gives it all she’s got. She also briefly plays the unenthusiastic Nana in act one, the Darling’s small and furry maid and babysitter who truly believes she’s seen better times in her career. Tron newcomer McCarthy provides a hilarious “West End” Wendy and fits in perfectly amongst her cast mates, her accent gaining more and more laughs as the night advanced. This ballet loving Wendy is full of energy and also brings a very sweet singing voice to the show. Brownlie, the only male in this cast, briefly plays Mr Darling and then, once we have been transported to Riverland, he becomes the hilarious and down to earth Chai Thai who provides plenty of one liners and Glaswegian slang. Not only a great performer, Brownlie is the choreographer for the show and stands out during many dance routines, dancing in heels with ease as he blends into the almost all female cast. The performance of the night was from Anita Vettesse who shines equally bright as Mrs Darling and Captain New Look. Perhaps one of the most interesting aspects of this year’s Tron panto is that the villainous role of Captain Hook we are all familiar with has been transformed and glamorised into a female role that Vettesse thrives in. Both her speaking and singing voices are strong and unique; Vettesse is instantly likable. It’s unusual to see a villain get such a large cheer at the curtain call and this actress certainly deserves all the praise she receives.
Grab your tickets, some wings and your eye patch whilst you still can – I predict a sell out show!