“One rap for yes, two raps for no”
Blithe Spirit is a rapturous success!
With a beautiful Art Deco set and extravagant costumes Blithe Spirit is visual splendour, transporting the audience to 1940’s Perthshire where struggling writer Charles and his second wife Ruth hold a seance led by Madame Arcati – the local medium who’s not quite as in touch with the spirit world as she thinks she is. Arcati contacts Elvira, Charles’ first wife, and brings her back to haunt the house where she once lived and of course, Elvira being her twisted self, she is only too happy to cause a little havoc.
Having heard that the setting of this production had been relocated to Perthshire, I had my doubts. Could this show possibly meet the standard of the 1945 film version of Blithe Spiritthat I was so fond of? The moment I entered the curtainless theatre I was greeted with the gorgeous set and several cast members busying themselves on stage – in character – as they prepared for the evening’s entertainment. Any worries were immediately cast aside: this show was already a hit in my book.
Anita Vettesse provided a truthful, powerful and sometimes hilarious portrayal of Ruth. Suddenly, the dull character that I found forgettable in the film became the interesting and exceedingly memorable character I was rooting for as I watched the plot develop on stage. Drew Cain was an excellent Charles, the man stuck between his two wives. Again, I found myself becoming fonder of Charles as the story advanced. Sally Reid starred as the mischievous Elvira, the role that is easily the most memorable for anyone who has seen the film. Reid’s performance on occasion echoed that of Kay Hammond, the original Elvira of both stage and screen, but she also made the role her own – it’s safe to say the audience enjoyed her portrayal of Charles’ ghostly first wife. Anne Lacey provided a barrel of laughs as the hilarious yet serious Madame Arcati. From her wacky costumes to her haunting rhymes, Lacey embodied Arcati in every way. A special mention must go out to Scarlett Mack who had the audience giggling before the show even started as the goofy, clumsy and loveable maid, Edith.
Johnny McKnight, the director of Blithe Spirit has, along with Kenny Miller’s designs and Kevin Treacy’s lighting, created a wonderful production of the Noël Coward classic that I will cherish for many years to come.
I may have travelled 120 miles to see this show but the glamour, the laughter, the talent and the wonderful experience has convinced me to return to the show for its penultimate performance on the afternoon of 16th November.
If you live in Scotland and are looking for a fantastic night of laughter, splendour and ghostly goings on then Perth Theatre is the place to be!